Journal
Notes on the houses that matter — how they work, what they use, and why the objects last.
73
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03.08.26
New Works
Light as object
New Works designs lamps you'd keep even switched off.
74
03.08.26
03.08.26
Tableau
Flowers, and the shape of an afternoon
Tableau treats the vase as a piece of collectible design.
75
03.08.26
03.08.26
Karakter
Re-issuing the masters
Karakter brings Colombo and Mangiarotti faithfully back.
76
03.08.26
03.08.26
Vaarnii
Pine, from the forests of Finland
How Vaarnii turned a humble timber into collectible design.
77
03.08.26
03.08.26
Hem
The quiet authority of Scandinavian design
On the objects that ask for nothing and give a great deal.
78
03.08.26
03.08.26
Gubi
Bringing the masters back
Paulin, Adnet, Ponti, Grossman, Corsini — the lost-and-found designers at the heart of GUBI.
79
03.08.26
03.08.26
Gubi
GamFratesi, in their own language
How a Danish-Italian partnership became GUBI's most recognisable contemporary voice — from the Beetle to the Flâneur.
80
03.08.26
03.08.26
Magis
Magis goes public: design that works for the crowd
From a Roman sky-bar to a Carpathian spa — and what it means for Australia.
81
03.08.26
03.08.26
Magis
Inside Magis: a Venetian design laboratory
Founded 1976. Six Compasso d'Oro. Close to a hundred awards.
82
03.08.26
03.08.26
Magis
Material futures: Magis and the circular chair
Stefan Diez's Costume, the Bell Chair, and the design of repair.
83
03.08.26
03.08.26
Magis
The serious business of play
Bombo, Spun, Puppy: Magis's century-long case that joy is a design value.
84
03.08.26
03.08.26
Magis
The Bouroullecs at Magis: steel, wood and the blacksmith's hand
From the Compasso d'Oro-winning Steelwood chair to the forged Officina family.